Patrick Gibson has become a leading figure for aspiring Irish male talent in film and drama, having risen to international acclaim as the troubled Steve Winchell with cult Netflix series ‘The OA' from Zal Batmanglij and Brit Marling just last year.
This game-changing role for the young actor follows a rigorous development of his talents on the small screen, beginning with a minor role in BBC Childrens Drama ‘Sherlock Holmes and the Baker Street Irregulars' in 2007, to ITV Productions ‘Primeval' and eventually to more prominent characters in Showtimes ‘The Tudors', and BBC series ‘The Passing Bells'.
In film Gibsons earliest work sees him in Lenny Abrahamsons acclaimed 2012 title ‘What Richard Did', moving from here to Niall Heerys ‘Gold', Kit Ryans recent ‘The Property of the State' (on release this summer) and Lone Scherfigs ‘Their Finest'.
His upcoming work includes an impressive range of film and drama alike, with John Ridleys political drama series ‘Guerilla' for ABC and Starz historical drama ‘The White
It has been an incredible year for Peter Foott, with his feature debut, ‘The Young Offenders' which he wrote, directed and co-produced. The film had the biggest opening weekend at the Irish Box Office of any Irish Film in 2016. The film had its Irish premiere at the Galway Film Fleadh, and its International premiere at Fantastic Fest in Austin Texas.
In addition to his extensive television work, which includes ‘The Fear' and ‘Republic of Telly' which he wrote directed and produced, Peter has made several short films, one of which ‘The Carpenter' and His Clumsy wife screening at over 60 international festivals, winning 9 Awards.
Among those who have championed The Young Offenders away from home is talk show host Graham Norton, who advised punters to "sell all your cocaine and buy a ticket". "It captures everything that makes Ireland so special - it's very funny, outrageous, and full of heart," he said.
In 2011 Barry Keoghan made his debut on the small screen as Dave Donoghue in RTÉs ‘Fair City' and since then has gone on to star as the infamous Wayne in ‘Love/Hate', and Cormac Mc Devitt in last years centenary mini-series ‘Rebellion'.
In tandem with his continued success in drama, Keoghan has starred in more than fifteen film projects, including the leading role of Joe in Rebecca Dalys complex and grief-stricken ‘Mammal', which The Irish Times describes as a “…brilliant depiction of unspoken needs and muffled emotions”. ‘Mammal' also saw him nominated by the Irish Academy for Best Actor in a Lead Role in Film in 2016.The pace of his career continues to grow, with Keoghan breaking into the international acting scene in tandem with his success in the Irish industry. These roles have taken him from portraying Sean Bannon in Yann Demanges ‘‘71' to Windows in the recent ‘Trespass Against Us' (Adam Smith), and Pavel in Konstantin Bojanovs ‘Light Thereafter'.
More exciting yet is the collection of work yet to come from this accomplished young actor, with roles in both Lance Dalys ‘Black ‘47' and Bart Laytons ‘American Animals', which are currently filming, and the upcoming ‘The Killing of a Sacred Deer' (Yorgos Lanthimos) and ‘Dunkirk' (Christopher Nolan).
Seána Kerslake trained with the Screen Acting Programme at The Factory in Dublin (now Bow St. Academy), and has a Bachelor of Arts Degree in Music & English from NUI Maynooth.
In just a few short years she has blossomed from her first role on screen as the rebellious and vandalising teen Jeannie in Kirsten Sheridans ‘Dollhouse' (2012), to the powerhouse role of Mary McArdle in Darren Thorntons ‘A Date for Mad Mary'. Both films have earned her Lead Actress in Film nominations from the Irish Academy and with them, she showcases the unquestionable strength of both our female talent and female characters on the big screen.
Her delicate and nuanced portrayal of the troubled Mary, in particular, has garnered praise for Kerslake at home and abroad, most especially with her receiving the prestigious Bingham Ray New Talent Award at the 2016 Galway Film Fleadh.
With additional roles in short films ‘The Hard Way' (Imogen Murphy), ‘Life's a Breeze' (Lance Daly), and ‘Dark Room' (Eoin Heaney), Kerslake concurrently pursues challenging roles in ambitious theatre projects. These include ‘The Bruising of the Clouds' (Jim Culleton), ‘Hooked! (Don Wycherly) and the recent From Eden (Karl Shiels).
She also recently made her small screen debut as Aisling in Cathy Bradys comic drama ‘Can't Cope, Won't Cope' for Deadpan Pictures, which aired on RTÉ 2 to a hugely positive response, and again demonstrating the young talents refreshing ability to connect with multi-generational audiences. The series has since been renewed for season two and will travel to BBC Three this year.